Description For this course, we explore Dynamesh sculpting in ZBrush and we’re continuing our cosmic entity series by working on Tsathoggua, one of the Old Gods and rival of Cthulhu. We’ll be delving into dyamesh by first adding basic foundational…
DescriptionBy the end of Sculpting Hand Anatomy in ZBrush, you’ll have a solid understanding of the anatomy of the hand, the underlying muscles, and how to interpret them into the 3D form using ZBrush. After a quick intro to the…
Description In this series, Emiel Sleegers is going to be covering how to sculpt and build a catacomb environment using Maya and ZBrush. For starters he will be creating and unwrapping some base meshes within Maya, and from there he…
Description Learn the advanced techniques inside of Unreal Cascade and the Material Editor to bring your sparks to the next level! This tutorial covers from “start-to-finish” how to make a fully dynamic sparks particle system that will collide with geometry…
Description This tutorial takes an advanced look at UDK’s mesh painting features for game art (often called vertex painting). We’ll go in-depth on how to create several advanced blending materials such as snow icing over stones, puddles that react to…
Description In this series, we take on one of the very oddest creatures of the Cthulhu pantheon: the Elder Thing! We’ll be using Dynamesh for the entire alien entity but we’re going to pull some « Frankensteining » – that is, we’re…
DescriptionIn this course, Emiel Sleegers is going to be covering the basic workflow methods used within Marvelous Designer 3. Here he will be covering some over the very basics such as the user interface, and from there he will jump…
DescriptionMost programs have a multitude of buttons, gizmos and menus that often clutter up and confuse students as to where everything is and what they’re mostly likely going to use in a production atmosphere. This course is designed to focus…
DescriptionIn this course, we will be animating a quadruped run cycle for a video game from scratch. We will start by setting up the reference plane for the in-game speed, followed by blocking all the main poses with appealing shapes…
DescriptionIn this course we’ll start talking about what we find scary and how to scare ourselves in order to brainstorm ideas. Eventually, gathering some inspiration from other horror artists and looking at scary imagery, we’ll start to create a small…
